An Aesthetics of Interdependence
Chapter 7, Art, Engagement, Economy: The Working Practice of Caroline Woolard, Onomatopee Press 183, (2020).

Devouring the middle to see the ends
Critics Page, Guest Ed: Art Critic, Lane Relyea for The Brooklyn Rail, (Oct 2018). | .PDF

Intimate Cosmologies: The Aesthetics of Scale in an Age of Nanotechnology
2014 CCA Biennial Symposium, Cornell University, (2014).

(in)Tangible Now: Phenomenal Aesthetics & The Post-Representational Subject
CR12, Presence in the Mindfield: Art, Identity and the Technology of Transformation, Eds: Roy Ascott, Luis Miguel Girao, Conference Publication of the Planetary Collegium, (2011) | .PDF

Territory Without Map: Gabriela Jimenez’s Uneasy Boundaries
Exhibition Catalog, “Meditations in an Emergency”, Organized and curated by Christopher Y. Lew, (2011) | .PDF

Trans|Meta|Para: Art & Culture at Network Speed
AAP Newsletter, College of Architecture, Art and Planning, Cornell University, (2010) | .PDF

A Transformational Object: Artistic Authorship and the Phenomenal Aesthetics of New Media
SIGGRAPH Art Papers, 32nd International Conference on Computer Graphics and Interactive Techniques, (2005) | .PDF

The Power of Oz -Interview with Digital Artist Adrianne Wortzel
Silicon Salley, Issue #17 (Fall 2001)

That’s Data-tainment: Consumer Communities and the Outlines of a Digital Art
Silicon Salley, Issue #14, (Summer 2001)

This Designer’s Predicament
Silicon Salley, Issue #11 (Spring 2001)

The Significance of the Glass -or- Making Technology Meaningful
Silicon Salley, Issue #10, (Spring 1999)